Ask Axe Cop is Returning!

It’s true, the return of Axe Cop approaches. A new story begins on the 26th, but along with that, new Ask Axe Cop episodes will be coming out every Monday starting on the 30th. I’m pretty excited about this because I have always really loved Ask Axe Cop. I love the format and the bite-sized nature, and I love getting to dig into Axe Cop’s head at random.

So send your questions in to askaxecop@gmail.com and we will start sifting through them. Some of you who asked years ago could be pleasantly surprised as the new strips are released, I went through and dug up a bunch of old unanswered questions to kick things off.

Keep up to date here and on the Facebook page where I have been going live and giving out signed books and artwork. I also hope to have Malachai on to do some live Ask Axe Cop answers. We usually go live on Thursdays in the afternoon (pacific time).  Also, Patreon members get private video feeds, tutorials on drawing and writing, and will be getting the new Axe Cop comics released to them a week early.

 

 

Axe Cop Comics Return January 26th

On January 26th it’ll have been 7 years from the day we posted Axe Cop online. We’ve take a couple of years off after cranking out six volumes of work. Now we’re ready to get back to choppin’!

Here’s what to expect.  Mondays will be New Ask Axe Cop day. If you have a question for Axe Cop, send it to askaxecop@gmail.com.  Thursdays will be new story page day. I’ll announce the new story soon.

I will be posting extra material, and the pages will be posting weeks in advance for members of my Patreon group. Patreon members get all sort of benefits including tons of free digital content, big store discounts and access to art and other items not available anywhere else.

If you need proof, here is a photo from a recent writing session. Malachai is now 12!

 

Also, be sure to check out the new store. It is packed with brand new items including this sweet new mug:

 

 

Ethan

Axe Cop #5: the Notes

I’m taking a break from my Making Axe Cop blogs this week. Instead, as a continuation in the history of Axe Cop, I am going to share with you the raw notes I took on my phone called with Malachai to write Axe Cop #5. Axe Cop #0-4 were written in person, so I didn’t have notes for those. This was the first time I tried writing with Malachai over the phone. I was amazed how well this went. I was afraif it wouldn’t have the same feel. In some ways it was different. It was a lot more information, less action. But it was actually a great way to work. I found this old text file in my Axe Cop folder.

I have a folder on my computer I started called “Malachai” when he was three. It includes a few drawings I let him do on my Wacom tablet, and a few drawings he dictated to me as I drew, then one day I added a folder called “Axe Cop”, because I drew a few Axe Cop comics with him. To this day, my “Axe Cop” folder is still inside the “Malachai” folder, and it is freaking massive. As you read, if you know the comic well, you will see how I organized this and did some editing.

Click here to read the original Axe Cop #5 Comic

Axe Cop #5 Notes
axe cop 5

malachai:
important mission
we need to save leaf man.
leaf man has powers but the bad guys stole his leaf powers
bad santa stole them (he steals the presents from santa)
bad guy gang… with an evil flying book that bites people and eats people
the book’s name: “evil flying book”
the book is actually a robot

(Malachai speaks as Axe Cop in first person)
at the sign up place someone was yelling for us, so we quit the mission
what’s your name? sockarang (boomerang socks) .. socks for arms
bad santa has christmas magic and the power to hurt ears (hurting ear power)
sockarang gets the blood of evil Santa and becomes super villain santa that is good

avocado cop touches the blood and becomes evil santa too

Follow up questions:
Q: Does avocado soldier use his horn for any magic? (maybe to change back into flute cop with a horn?)
A: He wishes to give leaf man’s powers back
Q: what does Ralph do?
A: he just watches and sings a loud song “tick tock the mouse ran up the clock”

Q: Does anyone die in the fight?
A: Good santa stole bad santa’s guitar
They go back to a try out: baby man.
“Shake what your baby gave ya.”
A baby that can fly when he gasses
A man who has a baby suit
The flying book is the hardest one
Uni man and a wrestler
Wrestler throws uniman at book

Q: Where are the bad guys? do they get leaf man’s powers back?
how do they get the blood out of bad santa?

(no answers recorded)

Random things axe cop says in a fight:

  • I think I’m gona chop your head off soon
  • I think I’m gonna go home and get something for dinner so I think I’m done with my job
  • My job is being an axe cop
  • I had a lot of work to do
  • I’m tired and hungry, so I am going to eat stuffed eggs with mayonnaise and yolk and mustard and then you put it in where the yolk was and paprika on top.
  • stuffed eggs with power potion
  • whenever I eat I get powers
  • one of the potions is called “transform”
  • turns into a gun pail buffalo and shoots out of his horns

____________________________________________________________________
reworked/organized:
Ralph Wrinkles’s important mission is this:
A guy named Leaf Man has had his powers stolen by a gang of bad guys
the gang of bad guys is Bad Santa (who steals presents from good Santa, he also has the power of Christmas and the power to hurt ears)
and also “evil flying book” which flies around and bites people.

in order to fight these guys they must have another tryout.
At the tryout, Sockarang joins the team. His arms are socks and they shoot off and return like boomerangs.
So Sockarang, Leaf Man, Axe Cop, Ralph, and Avocado soldier go to fight bad santa.

At the fight, ralph just sings “tick tock the mouse ran up the clock”.
Bad Santa hurts their ears with his guitar.
Evil flying book keeps biting them.
They retreat to hold more tryouts.

At the tryouts they recruit Baby Man, Wrestler, and Uni-man.
Uni-man says he took up crime fighting when his child was stolen.
Baby man’s motto is “shake what your baby gave ya.” and he can fly when he gasses.

In the fight they realize that the book is actually a robot.

The wrestler throws uni-man into the book and it explodes.
they defeat bad santa by taking his guitar… sockarang gets bad santa blood on him and gains his powers.

They win, but leaf man never got his powers back, so avocado soldier gives them back using his unicorn horn.

 

Making Axe Cop #3: Going Viral

Going viral was one of the strangest and more surreal things I have ever experienced. The best way I can describe it is if you imagine yourself watching TV and the characters on the screen suddenly look at you and, not only acknowledge your existence, but think you are amazing. It creates a scary, strange feeling of both euphoria and disbelief. This can’t be real. This will end tomorrow. This is weird. What the heck is going on. Those are the thoughts that scamper through your head like hyped up chihuahuas at the dog park.

Twas the night of the State of the Union address. I was watching it at my friend, Doug’s house. That’s when I started getting crazy twitter alerts on my crummy little phone. The thing was going nuts. Every time I got mentioned or followed I got a ding, and the dings were dinging like crazy. It was like pop corn. It started slow, crescendoed, but never calmed down. I only had about 16 followers on the Axe Cop twitter, and suddenly they were skyrocketing.

My limited flip phone couldn’t really paint the picture for me of what had happened. I got home to my little rented bedroom with my day bed and got on my computer. My friend Anthony, who created AxeCop.com with me (he really built it, I just provided the graphics) was on my instant messenger.

I was up all night that night. Twitter would give these little notifications when I did a search for the term “axe cop”. The words “12 new tweets,” “24 new tweets,” “16 new tweets” were popping up every few seconds. I’d click it and the list would expand. I couldn’t keep up. There was literally only four pages of Axe Cop online and they had seen more success then the 1,000 pages of comics I had drawn before them combined, and only in one evening.

The next morning was when Hollywood and the press started to contact me.

(I am posting samples of our conversation to give a picture of what it was like in real time, though I think we spoke on Skype that night and I don’t know how to retrieve messages that old on Skype.)

acstory3

Entertainment Weekly making AxeCop.com website of the day was one of the first big things to happen. Wired emailed me around that time too. They just kept coming. Comics Alliance, Mtv, CNN, it was nuts. In fact, it’s hard to even try to sort it out in my mind and type it all out. It’s like going on a crazy rollercoaster, then trying to describe the ride in detail after you have gotten off. What’s there to describe?  All I know is I was screaming and my face was flapping in the wind.

acstory1

We were tracking down new links and posts to Axe Cop constantly. Google alerts were popping up like Viagra ads. Meanwhile the website wasn’t ready for this kind of traffic and it couldn’t handle it. We had this bizarre flash display for the comic that everyone hated. We were on one of those $15/year “unlimited bandwidth” plans. Apparently those don’t work for sites that get crazy traffic. All I know is after the site went into super tortoise mode for a while, it totally crashed and was gone for a full day or two in the midst of its biggest success. We lost all our stats during that time. I posted the comics to blogger just so people had somewhere to read them because requests were coming in like crazy. Our host said they couldn’t handle our traffic. We had to switch companies and pay for a dedicated server.

Did I mention I had around $116 in the bank at this time? Whatever I had, I didn’t have the money to pay for a dedicated server. $250/month. Before I had made a penny on Axe Cop’s success someone else was already getting paid. Anthony fronted me the money (he was smart and had a real job) and I immediately worked up a t-shirt design then posted it online for sale, even though it didn’t yet exist. Luckily people started ordering the shirts up and we had enough to pay for the server, to order shirts, ship them—and then some—in a day or two.

I don’t know why they did it, but Anthony and his wife Amy—who he had just married—took on the crazy task of running the online store. We agreed to a fee they would get per sale and they became my own little fulfillment company.

axeshop-bts5

You can read the original blog from the first month of Axe Cop here.  The point of these posts I am sharing now is to paint a bigger picture of what was happening during those days. Stuff I couldn’t really talk about then.

I’m going to have to break this topic up into a couple more posts because so much happened. So, next time I’ll get more into what was happening with getting contacted by agents, journalists and all of that kind of stuff.

Ethan

Making Axe Cop Chapter 2: The Day We Played Axe Cop

I almost didn’t make Axe Cop. Axe Cop wasn’t like any other character I had ever come up with. I hadn’t planned him out, written a story, drawn out concepts, spent months or years dreaming of “making it big” with this great idea. I wasn’t trying to come up with a design that could sell toys or be a cool t-shirt. I just drew him. First panel, first episode, I just drew a cop with an axe.

It wasn’t until around the fourth installment I started to realize this was more than a one-off gag. This was a character who was fascinating and was taking on a life of its own. Other characters I had decided ahead of time who they were. Axe Cop told me who he was. Obviously, having Malachai as his mouthpiece had a lot to do with that, but there’s something to letting your character live its own life rather than trying to force it down a certain path.

I’ve told versions of this story many times now, but here it is with a little more of my own mental process thrown in. I was visiting my family for Christmas. I had gone on this trip with it in my head that I would not work on comics. Just relax.

I needed to relax because for the last two years I had worked on two different graphic novel scripts, doing concept art galore, obsessing, trashing scripts, rewriting, pulling my hair out, hitting dead ends, banging my head against walls made by messy plots and bad ideas. I was still trying to come up with a follow up to Chumble Spuzz, my first set of completely unhinged books I did for SLG (don’t take my word for it, just ask Invader ZIM creator Jhonen Vasquez, he oughta know a thing or two about unhinged cartoons). People who read Chumble Spuzz usually realize that completely bizarre thoughts are a staple of the Nicolle family. (sidenote, If you join my Patreon page you get both Chumble Spuzz books in PDF format for free) I was trying to write something a little more thought out for my next work. Something that could feasibly be made into something else, like a movie. I had it drilled into my head that I had to make something that could sell as a film. I couldn’t waste my time making silly comics.

I was reading screenwriting books like mad. This is what people who live in southern California do. Go to any coffee shop or downtown hangout and there are at least a few desperate looking souls reading one of the major books on screenwriting.For me, it felt like storytelling was this insane puzzle and I believed many times I was just not wired to understand it. Either that, or I was just doomed to always over-complicate my stories to a point that they would never be finished. My plotlines always became big Celtic knots of various philosophical thoughts, set pieces and moments I was in love with that never found an ending.

It was when I read the screenwriting book Save the Cat that it started to come together for me. But still, the first year I was in California I was writing a comic about a crime fighting rock band I finally shelved when it had gotten too convoluted and I‘d come up with another idea I got really excited about called Bearmageddon. I wrote two completely different versions of Bearmageddon and hated them both, did lots of concept art, and almost trashed it after my second year. I ended up spending the money to go to a Save the Cat weekend seminar and got help with it directly from the author himself, Blake Snyder.Tragically, Blake died about a week later. By some strange roll of the dice I happened to be in the last seminar he ever taught. (you can read about that in a guest blog I eventually did on the STC website)

This kickstarted my book. I told Blake what I wanted the book to be and he told me it was the craziest thing anyone had brought into his class, but he also helped me narrow down what it was. He helped me find the story I was trying to tell, and write out my beats for that story over that weekend. When I went home, I actually had something!

So I went to work on the third complete rewrite with a whole new cast of characters, whole new setting and world. It was that December, the one that would change my life. I had gone to the home of my good friend—and in many ways mentor—Doug TenNapel to smoke pipes, have a beer and discuss our current projects. This is what we did on a regular basis. We sat on his back patio with pipes or cigars, hashing out our current stories. Except Doug always had something new, and had always recently sold one of his ideas to some big film studio and brought home six or seven figures, while I was always hung up on the same stupid plotline. “It’s close enough. Set a date, start drawing it,” Doug said. He was right. It being the middle of December, January 1st was my logical starting date. So it was decided. I would begin drawing Bearmageddon on January 1st of the next year.

About a week later I set off for my family’s home in rural Washington. As I mentioned, I had decided my brain needed a break from comics, from the constant obsession with story lines. I needed to put it down and relax then hit it full bore on the 1st.

My brother, Malachai, had grown up so much. He was now five and was spouting off words like crazy. He loved just making stuff up on the spot, pretending, imagining without any concern for logic or plot structure. It’s so easy now for me to see how he was exactly what I needed at that point in my life. He constantly wanted to play. Play ball, play video games, play hide and go seek. Then he asked me if I would play Axe Cop.

Usually when I tell this story I say the next thing I did was make a comic with him. But no, it didn’t actually happen that fast. What DID happen fast was the mental image I got the moment Malachai combined the words “Axe” and “Cop”. The character was born in that moment, but he didn’t leave my brain and come out of my pen for another couple days.

In fact the first, second and possibly third time Malachai asked to play Axe Cop, it didn’t happen. I had the mental picture, but other stuff kept happening. Other family members wanted my attention, it was time to eat, or I was just too lazy to get up and try to keep up with my brother who was 24 years my junior and had the energy level of a highly caffeinated gibbon.

It was about the fourth time he brought it up that I said yes. I wasn’t doing anything else and I had no excuses. In my head, I was already hearing this little voice telling me “this is a comic. We could draw this as a comic,” and another one saying, “no, just have fun, play, don’t make comics.” And that’s why I needed this to happen. I had forgotten comics were more than just struggle and pressure and never succeeding. They were supposed to be fun.

Another part of the story I’ve mentioned many times is that Malachai was simply combining the idea of “playing cops” with a toy fireman axe he had. He didn’t have handcuffs or a toy gun, so he was making due with what was available. In his mind he wasn’t creating a character, just creating a slightly different kind of cop than a normal old gun and badge cop. I asked him what kind of cop I would be and he pulled out a toy flute (actually a plastic recorder). I expressed my dissatisfaction at being given a flute while he had an axe, and he switched weapons without the blink of an eye. He didn’t care.

The first episode of Axe Cop was born in that short play time. There were more details of course, but the gist of it is in that strip. You see how Malachai, who chose to be Flute Cop, made the whole story alter so that in the end, being flute cop was awesome and it didn’t matter who had the axe. It was awesome, and I had to draw it.

This hadn’t happened to me in a long time. Being blindsided by a concept I was so in love with I couldn’t resist drawing it. I sat down and drew the first Axe Cop comic in under an hour. It was quick and sloppy. That was OK. I wasn’t doing it for a TV network or to get published, I was doing it for Malachai and me, and for our family to enjoy.

I felt a strange guilt about it. I already felt so behind on my next book. Two years and I had nothing to show for it. If I was going to be drawing comics, I should be drawing Bearmageddon, working on my book, not goofing off with this silly little inside joke between my brother and I. Despite all those feelings, I couldn’t resist Axe Cop’s call. The next comic ended up being two pages long. The next one another two pages. The next another two. Then I drew Axe Cop #0 with Malachai after he had started to give me back story for some of this stuff. In three or four days I had drawn eight pages and they had not been a laborious slog. They were a blast!

I drew them at night, usually when everyone else was asleep, sitting at the kitchen table with my laptop and wacom tablet (I knew myself well enough to bring my drawing tablet even if I had told myself I was taking a break from comics. Plus I had freelance to work on.). I remember sitting at that table at 3 in the morning, drawing Axe Cop #4, laughing so hard it physically hurt. The idea of this sad couple who had lost their children to illness being given “two thousand million” children, then placed on a snow planet, given only shovels to make igloos to live in was so painfully hilarious to me that it made me do that squeaky-crying sort of laughter that can only happen when you’ve completely lost control of yourself.

I shared the comics on Facebook and my friends and family seemed to like them, but there was no indication from the response that I had something with the potential to go viral.

I went home excited to draw. In the next couple weeks I hammered out the first 30 or so pages of Bearmageddon. On the side, my friend Anthony and I were working on a web site for Axe Cop. Anthony and I had made all the incarnations of our band’s web sites during its tenure in the northwest. We also had briefly started a small website design business together. Our plan was ultimately to create a Bearmageddon web site, but I had a theory that the first thing you make of anything is going to be crap, so I wanted to make a dummy web site to work out all the kinks of web comics before we put together Bearmageddon. So we decided to create AxeCop.com first.

By the end of January we were ready to put the site up online and test it out.

MySpace links?? This is old.

The first mock up I made in photoshop for the Axe Cop website.

Next time: Going Viral (I know I said that last week but I changed my mind)

 


Ethan Nicolle is the co-creator of Axe Cop, writer/artist of Bearmageddon, animation writer and maker of children’s books. www.EthanNicolle.com

Making Axe Cop Chapter 1: Offerman, the Oinkster and eHarmony

Today I begin my tale. I’m starting right in the middle and going from there. I have no idea if I possess the skills for such non-chronological writing, but this is free and I can always edit it later. I give you…

Chapter 1:

Offerman, the Oinkster and eHarmony

I find parking near the Oinkster, a pastrami and burger place in Eagle Rock. I am meeting someone here and it hasn’t really yet sunk in that this is actually happening. Not just that I am about to have lunch with a celebrity, but all of it.

The week before, I had gone on my first date with a woman who I knew in my gut I would marry. My 30 years of loneliness were over, I just needed to convince her. Tonight was going to be the second date, and I was like a pressure cooker waiting to explode. I could not wait to get out to Claremont and see her again.

That was enough to make that day an interesting one, but that was later. Where we’re at right now in the story is earlier that day. I’m standing in front of the Oinkster. I’m meeting someone fairly famous here, especially to this crowd. I suggested it as a meeting place because my friends and I frequented it and my buddy, who knows everything about every movie and TV show, knew that this particular actor was a fan of the Oinkster, which is why I suggested it.

It took me a second to realize they were walking right toward me. One face I had only seen on Facebook, the other on TV. One guy is tall and skinny, glasses and goatee. That’s Martin. He’s a writer, softspoken has a kindhearted smile. The guy next to him is shorter, has broad shoulders, is wearing the kind of flannel a lumberjack would wear (a legit lumberjack, not a Silverlake lumber-sexual), on his face, big dark aviators rest on a button nose and his head is covered in a knitted beanie. A strange outfit for a typically hot day in Eagle Rock. This, I assumed, was his “out in public” disguise. But the glasses could not hide the thick, intense eyebrows, one raised slightly higher than the other, nor would they even come close to covering the dense mustache that flowed like amber waves of grain from one cheek to the other, creating something so recognizable it was like a celebrity with a second celebrity attached to his upper lip. He put his hand out to shake.

“Nick Offerman,” he said.

***

Three years earlier I’m on my first eHarmony date at Universal Citywalk. I meet her under the giant guitar and we go get sushi. Then we walk around. When we get to the magnet store full of magnets covered with crass and tacky jokes on them, my date reads them aloud to me one by one. The more terrible they are, the hard she laughs at them, and the harder I try to fake a chuckle. So begins my journey to find love in Southern California.

I had moved here in a late 90’s model two door Toyota Tercel, which I had packed every last inch of space with whatever belongings I could fit, then sent everything else I owned off to the dump or Goodwill. I spent all day packing, then I left Oregon City, Oregon, where I lived in a small attic, to pursue my Hollywood dreams. My younger brother Isaiah (six years younger to be exact) helped me pack. He was renting a room in the same house, which was owned by two brothers. We cleverly called it the house of brothers.

I liked driving at night. I was a night owl, which can sometimes mean a lonely person who doesn’t like to face people and account for their rapidly growing obesity and lack of any sort of career. In this case it did mean that. I hugged my brother goodbye and got in the car to drive off. Of course I forgot something a few minutes later and had to run back in. I don’t remember what the thing was, but I’ll never forget walking back in and finding Isaiah crying harder than I had ever seen. He had impressively held those tears back when we hugged goodbye. I gave him another hug and said goodbye again, this time it was a bit harder, but I didn’t cry.

I was in a sort of shock. I hadn’t let it sink in that I was moving a lot farther away than anyone in my family ever had, and that I really had no idea what I was going to do with myself. I hadn’t considered the possibility that I would really be missed by anyone. I was headed for the unknown. My only plan was to make it to the small bedroom I rented near San Fernando that I found on Craigslist, owned by some people I had never met but seemed nice enough. Beyond that I had no idea what I would do.

I put my iPod (yes, pod) on shuffle and Randy Travis’s Three Wooden Crosses came on. (Yes, Randy Travis) Sometimes a sappy country song with the cheesiest of analogies is just what the soul needs. I had never really listened to the lyrics of that song, but that night I did, and they were stupid yet wonderful as expected. Then around verse three there comes a plot twist in the story of the song about a prostitute who finds Jesus, which has nothing to do at all with my situation even a little (at least I hope not), but, regardless, I cry my eyes out all the way to Corvallis. The hamfisted lyric makes it all hits me at once. I’m heading to Los Angeles, leaving that little attic and the house of brothers behind. Realizing how much I am going to miss my brother, and mad at myself that I had been so blind to how he looked up to me, that it would affect him so much when I left, that the pitch that got optioned happened to be something we made together, but a move to California wasn’t in the cards for him, and that making something together had meant so much to him. I didn’t see that coming. All I ever assumed was that everyone was fine without me, and if I rotted in my little attic that would be just fine.

I made a few stops over the next couple days to see family and friends in Eugene, Coos Bay, Lakeside and Langlois as I headed down the coast. I remember the morning I left Langlois to make my final drive to California, the song that came on my iPod was Bonnie Tyler’s “Faster Than the Speed of Night” (yes, Bonnie Tyler). Again, it had nothing to do with what was actually happening in my life, but it just felt right.

I headed down highway 101, all along the majestic sea cliffs until the trees got massive and red. It felt perfect. The weather was amazing and the scenery was so glorious it helped me believe the world was made by a God who thought things through and wasn’t just doing a Jackson Pollock with scrambled space feces. But did he have a plan for me?

I arrived at 2:00am. The drive had taken longer than expected, either that or I just hadn’t done the math. I met my new landlords/roommates when my arrival prompted their two little squeaky dogs, Chuck and Gypsy to yap at me with throat splitting ferocity in the wee hours of the night. Here I stood before this short little jewish couple, a six foot tall stranger with a big red goatee, weighing in somewhere in the range of 340 pounds. Those were the days I avoided the scale so I didn’t have to find out how bad it had gotten. I was the heaviest I’ve ever been, probably outweighing Chuck, Gypsy and my new landlords combined. Despite my threatening appearance, they let me into their home.

The bedroom was probably about 10×10. It had a day bed, which was perfect for me because that was when I usually slept, though my feet had to hang off of the back end, poked through the bars surrounding the bed due to its small size.  I came in and crashed on the little bed and when I woke up I realized that I lived in California now. In a little town called Kagel Canyon. Maybe the town’s awkwardly feminine name was a sign. Maybe I would find the woman of my dreams. I started unpacking the Tercel. I was moving in.

***

We find a table in the back patio area of the crowded Oinkster. It’s one of those tables that purports to be two tables, but are so close to each other we might as well be sitting with the table next to us. Nick slides into his seat and I see the guys next to us nearly choke on their pastrami when he takes off his sunglasses.

This meeting is happening for the simple reason that everyone has been telling Nick he should be Axe Cop, and everyone has been telling me Nick Offerman is Axe Cop. Neither of us knew the other’s work very well before that. But Nick had fallen in love with Axe Cop when his writing partner, Martin, had introduced him to it. He spent the entire lunch speaking of two things: Axe Cop and his wood shop. It was clear the man loved his woodshop and for him there was a connection. As Axe Cop has been known to carry a reader to a place where you feel like a kid again, where the rules and cynicism of the universe need not apply and all you care about is being awesome, that is what the wood shop is to Nick Offerman. It brings out his kid-like glee. It is everything  Hollywood is not. It’s real, and the joy in it is real.

Somewhere in the proceedings, Nick Offerman spills a container of mustard on his pant leg. I don’t remember how it happens, only that I have the stupid and obvious realization that even famous dudes with perfect mustaches sometimes spill mustard all over their pants. Something we should all know without needing to actually witness it firsthand.*

And yet, at the forefront of my mind was my date tonight. I was texting her, she was texting me. It wasn’t that I didn’t care about my lunch with Offerman. It was a huge deal. But I’d experienced forms of recognition and success related to Axe Cop for the past year or so at that point. I’d had little to no success in the realm of dating and looking for love. Finding it was making me realize that success in the realm of romance was something I longed for, and had deadened my belief in so much that it had outweighed any kind of desire for success in comics or TV shows.

***

I had moved to Southern California because I had pitched a TV show created by Isaiah and me called Snub Nose and Pug, and it had gotten unexpectedly optioned by Cartoon Network. (I will be posting the entire pitch on my Patreon page for $2+ patrons this week) Though I was warned that an option can mean very little, I took it as a sign that I needed to make the jump. I had known for years that I would need to move down to southern California if I ever wanted to do the kind of stuff I like to do for a living. This opened a door. I had management now, I had a TV show optioned and an open door at most of the networks to pitch ideas.  

snubnoseandpugcover_page_01

Upon moving to California, I began pitching more TV show ideas and going on eHarmony dates. For a time, I was using both eHarmony and Match, but I found I had better luck with eHarmony because I knew that I was not looking for a hook up, I was determined to find a wife, and eHarmony is the place for people who are looking for marriage. Between hollywood pitch meetings and online dating, both exploits felt extremely similar. All the imagined romance of either was lost in the process. When you imagine your first date with someone, or yourself going into a pitch room at Cartoon Network and pitching your TV show, the image you have of what it will be like is so much more fantastic than it ever actually is. Instead of feeling like I had reached some high point of success or achieved something or had made it to some place, some new level in a video game I had always longed to arrive at, it felt like I had come to the bottom floor of a very crowded building with one small elevator and very little chance of moving up. A place you might be stuck in forever and if that was the case, it was crowded and lonely at the same time.

I went on date after date and pitch after pitch. Lunch with execs and lunch with eHarmony matches. I wore the same outfits to both, prepared for both in the same way, and felt the same way at both. I felt like I was one in a sea of a million options. I could see in the eyes of the person across from me that they did not see in me anything amazing or unique, but that I was one in a line of many, many choices who stacked up well in some areas and pretty bad in others, averaging out what I had to provide to a level of mediocrity not apt to inspire any real excitement in potential mates or showrunners. My first dates felt like job interviews and I began to wonder if it was even possible to find love this way. Could romance even find its way into such a robotic process?

It was in my second year in California that I quit eHarmony, pitching and shelved the graphic novel I had been working on about a crime fighting rock band. I had spent a whole year on it and I hated it. But a new idea had struck me for a comic called Bearmageddon, so I started writing that.

About a year later I was in the thick of Axe Cop going viral. (There’s a big gap there which I will fill in later.) I decided to try eHarmony again. It was like round two. I had been hurled into a world where I was doing pitch meetings multiple times a week. Suddenly everyone wanted a meeting with the Axe Cop guy. They wanted to meet me, though they didn’t really want anything to do with Axe Cop. They just wanted to see if I could apply the same viral magic to whatever they were making. No. Of course not. Still the pitches and the dates felt the same. I was still just another guy who, to the execs in Hollywood was the hot thing this week and to the girls from eHarmony just another match to sift through.

***

Offerman did his best to wipe the yellow gunk off his leg with a stack of napkins, and continued to speak about woodworking and Axe Cop. The fumble didn’t make him miss a beat. His enthusiasm was unstoppable. He was in the midst of his own recent success with Parks and Rec and he told me he had learned how important it is to just be you. He said that throughout his non-successful years in Hollywood, they had said he was too intense looking, they didn’t like how he came off. But it was these same attributes that eventually became what people loved about him and landed him the role as Ron Swanson. I think he liked Axe Cop because it was me and my brother just being us, not trying to get noticed, not a TV show pitch, it was as real as crisp, curly, hand-planed wood shavings.

We did not know at that point what would become of that meeting, only that we were interested in working together on something involving Axe Cop. Martin was going to work up some kind of pitch and we would go from there. I felt like I had found someone who actually wanted to make Axe Cop because they loved it and not to cash in on its online success. We shook hands and said our goodbyes, and I got into my car. I was now driving a green 2005 Toyota Camry. Four door. I’d just experienced proof that a Hollywood meeting can be full of genuine excitement about something real and doesn’t always have to feel like an eHarmony date.

My date that night went even better than expected. Neither of us wanted it to end. We walked all over Claremont, ate Mexican food and had a good time poking fun at a pretentious art gallery. The guy running the gallery recognized me as the creator of Axe Cop and Bearmageddon, which made me look pretty famous. This has only happened to me a handful of times in my life. I was crazy in love and had found the woman I would marry. I went home that night shocked to find that not all eHarmony dates have to feel like hollywood meetings.

Next time: The Day We Played Axe Cop

*I had said this was beer in an earlier version of this post, but Martin read this and reminded me that it was mustard. Now I wonder what other details have been altered in my memory.

 


Ethan Nicolle is the co-creator of Axe Cop, writer/artist of Bearmageddon, animation writer and maker of children’s books. www.EthanNicolle.com

Making Axe Cop: Introduction

The Axe Cop Story in Detail

Creating Axe Cop was one of those things that sort of happened to me more than I made happen. It was a crazy whirlwind of an experience and now that it’s simmered down, Malachai is in Junior High and I’m a family man, I’ve looked back on the whole adventure with some fascination. So I decided I’d write a weekly chapter on the story of how Axe Cop happened. Most of you have heard the story of the Christmas visit when Malachai wanted to “play Axe Cop” with me. But I want to tell the whole story.

Why no new comics? For now, I’m not doing Axe Cop for a couple of reasons. First being financial. People aren’t buying them. I don’t resent this. I’ve been amazed from the beginning that Axe Cop became as popular as it did, and I get it, it’s a funny joke but not a series you want to invest yourself in for life. At least not most people.  It’s also the age Malachai is at, and the place I am at in life. Looking back, I never could have made Axe Cop if I had what I wanted in life.

I was 29 at the time and all I could think about was how lonely I was. I wanted a wife. A family. I hated being alone, and I was alone until I was 31. But if I had a family, Axe Cop never would have happened. I couldn’t have spent large amounts of time one-on-one with Malachai, traveling to visit him for entire months. Now that I have a family I see how hard it is to ever travel, and when you do travel, you are mostly wrangling kids. As much as I resented my singleness, it afforded me the ability to spend lots of one on one time with my little brother. Time I couldn’t spend these days unless I totally ignored my family for weeks at a time.

I also respect the art of not overstaying your welcome when you make a good thing. I wanted to make a good body of work while Malachai was still young, and we did that. I’m happy with what we made, and if there is never another page of Axe Cop made I’ll be satisfied. But I’m open to revisiting Axe Cop with Malachai from time to time. He has talked about finding the right kid to “pass the torch” to as well.

For now, Axe Cop is an awesome memory for both of us. We lived two states apart and thanks to that little webcomic, we got to spend way more time together than we ever would have without it. I don’t think many other brothers who are 24 years apart, living separate lives who get to see each other as much as we did when Axe Cop was on fire. So, since there’s no new material t post, I’m posting this.

I write this as an introduction. Next week I will start into the story from the days prior to creating Axe Cop and what led up to it. I asked myself if I would want to hear the story if it wasn’t me, and I think I would. I find “how we got to where we are” stories fascinating so why not share my own? Questions and input are welcome along the way. My plan is to post on Tuesdays, so stay tuned.

Also, if you would like to see the other things I have been working on, check out www.EthanNicolle.com and consider joining me on Patreon.

 

Ethan

UNCHOPPED #5 Learning About Your Body

And on we venture into T-Rex school. Wexter’s dad learns all sort of amazing things he never knew about his body, mainly that it is covered in secret, naturally occurring buttons. Did you know the tyrannosaurus rex has a foot rocket launcher? You didn’t? Looks like you went to the wrong school. Next time we will see what t-rex recess is like.

Ethan

 

 

Unchopped #4: T Rex School

I bring you another loosely scheduled installment of UNCHOPPED. The cotton balls used in the last scene made their way into this one in the form of a bad guy who bombs you with extra fluffy cotton balls, the Cotton Bomber. What I love most though is this storyline about Wexter returning to 4th grade with his dad so he can finish school. This was the element that made me love this story. Our dad dropped out of highschool and ended up going back and finishing later in life. I assume that inspired this idea in Malachai’s head at the time.

Speaking of Malachai, he is 12 years old as of yesterday, so happy birthday little brother. He is singularly obsessed with video games now, just as I was at that age. We chatted and were fantasizing about an Axe Cop video game. It really would be the greatest game ever made if done right.

Thanks for reading, and if you know any game companies who want to make the greatest video game ever, send me a message.
Ethan

Unchopped #3: the Minder

I had a busy Wednesday and Thursday this week, so I decided to post on Friday.  Surprise!

The next mission Wexter and his dad go on is here. They fight Codack’s room mate, the Minder. This whole story was pretty much made up during one very fast paced play time while we were working on Axe Cop: President of the World. I was spending a month with Malachai to work on that story and he kept wanting to go off on tangents and side stories. One of my favorites was this whole series of events with Wexter and his dad. So you will see things like the last bad guy was based on a Kodak camera and the Minder can be stopped by cotton balls. There was  a bag of cotton balls laying around at the time and they became integral to the story. As you will see next time, there is even a bad guy called the Cotton Bomber. But my favorite part of the story is yet to come.

If you enjoy new Axe Cop content and want to help keep it coming, please become a Patreon supporter. Every little bit helps. Thanks for reading!

 

Ethan